Marleen Boschen

<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:media="http://search.yahoo.com/mrss/"
	
	>

<channel>
	<title>Marleen Boschen</title>
	<link>https://marleenboschen.work</link>
	<description>Marleen Boschen</description>
	<pubDate>Wed, 13 Jul 2022 08:59:36 +0000</pubDate>
	<generator>https://marleenboschen.work</generator>
	<language>en</language>
	
		
	<item>
		<title>Sonics of Rupture</title>
				
		<link>https://marleenboschen.work/Sonics-of-Rupture</link>

		<pubDate>Tue, 12 Jul 2022 15:10:13 +0000</pubDate>

		<dc:creator>Marleen Boschen</dc:creator>

		<guid isPermaLink="true">https://marleenboschen.work/Sonics-of-Rupture</guid>

		<description>
	
	
	Sonics of Rupture
	

	Sonics of Rupture · Sonics Of Rupture
Sonics of Rupture · Tremors: Day 23
	Sonics of Rupture is a collaborative project with Sterling Mackinnon about giving sound, and voice, to human-induced seismic activity and its environmental resonances. It traces the tremors caused by hydraulic fracking in Lancashire in 2019.&#38;nbsp;Sonics of Rupture is a speculative sound piece exploring themes of geological time, trauma, and the effects of seismic disturbance and activism.
The seismic activity around Preston New Road in Lancashire was a result of a hydraulic fracking operation, well construction, and drilling by the mining and shale gas exploration company Cuadrilla. After increasingly strong earthquakes occurred in the summer of 2019— and in response to persistent protests throughout the fracking activity—the site was shut down in late 2019. &#38;nbsp;
What are the sonic and ecological afterlives of these disturbances?


CREDITS
CODING: Isaac Clarke
INTERVIEWS: Barbara Richardson and Nick Danby
Generously supported by the CHASE Climate Justice Network.
	&#60;img width="713" height="583" width_o="713" height_o="583" data-src="https://freight.cargo.site/t/original/i/ccc0bb6276c6229c35cbe3e32fe8265f70719120b62301b182587ab4f1ec5df7/238.jpg" data-mid="150353558" border="0" data-scale="100" src="https://freight.cargo.site/w/713/i/ccc0bb6276c6229c35cbe3e32fe8265f70719120b62301b182587ab4f1ec5df7/238.jpg" /&#62;Soundcloud archive&#38;nbsp;
Coding&#38;nbsp;

Article

&#60;img width="1200" height="1600" width_o="1200" height_o="1600" data-src="https://freight.cargo.site/t/original/i/45a4602d893e1d9516beb4ea934182372d6d088b223abce5621f4c48ff7e7b6b/WhatsApp-Image-2022-03-31-at-14.26.27-2-modified.jpeg" data-mid="150353502" border="0"  src="https://freight.cargo.site/w/1000/i/45a4602d893e1d9516beb4ea934182372d6d088b223abce5621f4c48ff7e7b6b/WhatsApp-Image-2022-03-31-at-14.26.27-2-modified.jpeg" /&#62;

	
</description>
		
	</item>
		
		
	<item>
		<title>The great conversation</title>
				
		<link>https://marleenboschen.work/The-great-conversation</link>

		<pubDate>Wed, 13 Jul 2022 08:59:36 +0000</pubDate>

		<dc:creator>Marleen Boschen</dc:creator>

		<guid isPermaLink="true">https://marleenboschen.work/The-great-conversation</guid>

		<description>
	The Great Conversation (still as someone passes by)A collaborative sound piece with Charles Pryor, Sara Rodrigues and Lou-Atessa Marcelli, 2020.

&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/30a08a3ad6b4664f1084bef0e0757b2e017dc2af32f1ae3116eb44d0c15541b0/MSB_3.png" data-mid="150360598" border="0"  src="https://freight.cargo.site/w/1000/i/30a08a3ad6b4664f1084bef0e0757b2e017dc2af32f1ae3116eb44d0c15541b0/MSB_3.png" /&#62;This piece follows the soil as a narrator and witness to the unfolding histories of human cultivation practices and environmental acts of violence. It seeks to make audible soil as a living global infrastructure, a container for past and present cultivation knowledge. The project explores how these stories can be told through something we often unknowingly depend on for the survival of more-than-human ecologies. This project was born out of a larger research-led film project titled 'A Womb of Things to be and a Tomb of Things that were'&#38;nbsp; by artists Charles Pryor and Marleen Boschen which combines elements of historical and scientific research with speculative fiction about seeds and conservation during times of ecological breakdown.


Vinyl version available via email.


&#60;img width="4267" height="2667" width_o="4267" height_o="2667" data-src="https://freight.cargo.site/t/original/i/70212007e76a69e4a0bcdda078d0dc09cf82421c27fd655d1eed19fbbef5de6b/1280-by-800-edition-49.jpg" data-mid="177555265" border="0"  src="https://freight.cargo.site/w/1000/i/70212007e76a69e4a0bcdda078d0dc09cf82421c27fd655d1eed19fbbef5de6b/1280-by-800-edition-49.jpg" /&#62;
&#60;img width="4267" height="2667" width_o="4267" height_o="2667" data-src="https://freight.cargo.site/t/original/i/b3a1f94bd0b8109a4252da81823cf33822f42e6549c81fc972944d64ac481452/1280-by-800-edition-410.jpg" data-mid="177555274" border="0"  src="https://freight.cargo.site/w/1000/i/b3a1f94bd0b8109a4252da81823cf33822f42e6549c81fc972944d64ac481452/1280-by-800-edition-410.jpg" /&#62;Images: &#38;nbsp;Hannah Thual, 2023


After Progress Exhibition 2022

September 2021
Performed by the New Makers Ensemble for 'I trangress borders and boundaries' at Oficinas do Convento, Zaratan, Casa das Artes / (Portugal) and Splendor Amsterdam.3 October 2020
Commissioned as a podcast for Diaspore. Performed for Diaspore programme 'Scenes of the World' at Coco Velten, for Les Parallèles Du Sud, Manifesta 13, Marseille, France
Text and imagery Marleen Boschen and Charles Pryor

Sound composition Sara Rodrigues
 
Produced with Lou-Atessa Marcellin

&#60;img width="533" height="800" width_o="533" height_o="800" data-src="https://freight.cargo.site/t/original/i/48055491e67357bfab620881b0e5daacd8da9e54088cf57b442197a46dbee9b7/dscf2352-orig.jpeg" data-mid="150360493" border="0"  src="https://freight.cargo.site/w/533/i/48055491e67357bfab620881b0e5daacd8da9e54088cf57b442197a46dbee9b7/dscf2352-orig.jpeg" /&#62;&#60;img width="1067" height="800" width_o="1067" height_o="800" data-src="https://freight.cargo.site/t/original/i/ab3951dbc7f0656f20c1ec70603125251313ab39725f543888133d6c64b92ac6/242940181-5093519960664097-2770520788371819932-n_orig.jpeg" data-mid="150360492" border="0"  src="https://freight.cargo.site/w/1000/i/ab3951dbc7f0656f20c1ec70603125251313ab39725f543888133d6c64b92ac6/242940181-5093519960664097-2770520788371819932-n_orig.jpeg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Soil is an Inscribed Body</title>
				
		<link>https://marleenboschen.work/Soil-is-an-Inscribed-Body</link>

		<pubDate>Tue, 12 Jul 2022 15:10:14 +0000</pubDate>

		<dc:creator>Marleen Boschen</dc:creator>

		<guid isPermaLink="true">https://marleenboschen.work/Soil-is-an-Inscribed-Body</guid>

		<description>
	Soil is an Inscribed Body: On Sovereignty and AgropoeticsAn exhibition I co-curated with Elena Agudio at SAVVY Contemporary in Berlin in 2019.
Artists: Dina Amro, Archipel Stations Community Radio, Luis Berríos-Negrón, Filipa César with Ahmed Isamaldin and Ali Yass, Binta Diaw, Leone Contini, INLAND, Raphaël Grisey, Mia Harrison, Zayaan Khan, Yen-Chao Lin, Barbara Marcel and Ana Hupe, Julia Mensch, Pedro Neves Marques, Cedric Nunn, Elia Nurvista, Uriel Orlow, Lerato Shadi, Bouba Touré, Hervé Yamguen.

&#60;img width="7360" height="4912" width_o="7360" height_o="4912" data-src="https://freight.cargo.site/t/original/i/8df34719c76a86a89dc94d6605c702277cffc814f5fbb52bab40a77d650ea7a1/20_Agropoetics_Chorus_of_Soul_Binta-Diaw_.jpg" data-mid="150361341" border="0" data-scale="95" src="https://freight.cargo.site/w/1000/i/8df34719c76a86a89dc94d6605c702277cffc814f5fbb52bab40a77d650ea7a1/20_Agropoetics_Chorus_of_Soul_Binta-Diaw_.jpg" /&#62;
‘SOIL IS AN INSCRIBED BODY. ON SOVEREIGNTY AND AGROPOETICS&#38;nbsp; was a project examining both the anti-colonial struggles of the past and the current land conflicts across the world to resist the invasiveness of neo-agro-colonialism and its extractivist logic. It germinated through a series of readings, interventions and workshops, and materialised in an exhibition (30.08.–06.10.2019) and a performance/discursive programme at &#38;nbsp;SAVVY Contemporary (13.09.–15.09.2019). This project sought dispersed and yet networked moments of cross-pollination between artistic strategies and agroecological initiatives from molecular to geopolitical scales.’

&#60;img width="1020" height="681" width_o="1020" height_o="681" data-src="https://freight.cargo.site/t/original/i/52318603c149a3248544c565887310fa769ef57bb3a3f3fce909f682f2ca9b40/luis_berri_os-negro_n_wardian_table.1020x0.jpg" data-mid="150361416" border="0" data-scale="96" src="https://freight.cargo.site/w/1000/i/52318603c149a3248544c565887310fa769ef57bb3a3f3fce909f682f2ca9b40/luis_berri_os-negro_n_wardian_table.1020x0.jpg" /&#62;

&#60;img width="7335" height="4896" width_o="7335" height_o="4896" data-src="https://freight.cargo.site/t/original/i/3f0842bf0b5fd38f8d2e9496fc202def5276a146b6182490555b4de38f7bb161/07_Agropoetics_Elia_Nurvista_Sucker_Zucker.jpg" data-mid="150361267" border="0" data-scale="95" src="https://freight.cargo.site/w/1000/i/3f0842bf0b5fd38f8d2e9496fc202def5276a146b6182490555b4de38f7bb161/07_Agropoetics_Elia_Nurvista_Sucker_Zucker.jpg" /&#62;
Images: Raisa Galofre.


Agropoetics Reader (free download)
ConceptDocumentation
&#60;img width="7002" height="4673" width_o="7002" height_o="4673" data-src="https://freight.cargo.site/t/original/i/13c2f6ea50af750a71e56038121ca22434a8a54b7b2a7148e57cdf4024c97558/06_Agropoetics_Pedro-Neves-Marques_Linneaus_and_the_terminator_seed.jpg" data-mid="150361263" border="0" data-scale="93" src="https://freight.cargo.site/w/1000/i/13c2f6ea50af750a71e56038121ca22434a8a54b7b2a7148e57cdf4024c97558/06_Agropoetics_Pedro-Neves-Marques_Linneaus_and_the_terminator_seed.jpg" /&#62;

&#60;img width="7360" height="4912" width_o="7360" height_o="4912" data-src="https://freight.cargo.site/t/original/i/c4e79b2834c9ebbd70ef16ab2ed70694345e68a3ba26e85519621f5199beb38a/81_Agropoetics_Mapping_agropoetics_of_Liberation_Filipa-Cesar_Ahmed-Ismaldin_Ali-Yass.jpg" data-mid="150361367" border="0" data-scale="93" src="https://freight.cargo.site/w/1000/i/c4e79b2834c9ebbd70ef16ab2ed70694345e68a3ba26e85519621f5199beb38a/81_Agropoetics_Mapping_agropoetics_of_Liberation_Filipa-Cesar_Ahmed-Ismaldin_Ali-Yass.jpg" /&#62;
&#60;img width="4912" height="7360" width_o="4912" height_o="7360" data-src="https://freight.cargo.site/t/original/i/f1e69b3cf4f0baf78db6a831619f81a9fa74d18993d9059c20b4d151fe72da12/66_Agropoetics_A_cabin_of_Stories_Herve_Yamguen_.jpg" data-mid="150361345" border="0" data-scale="93" src="https://freight.cargo.site/w/1000/i/f1e69b3cf4f0baf78db6a831619f81a9fa74d18993d9059c20b4d151fe72da12/66_Agropoetics_A_cabin_of_Stories_Herve_Yamguen_.jpg" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>Grant Writing</title>
				
		<link>https://marleenboschen.work/Grant-Writing</link>

		<pubDate>Tue, 12 Jul 2022 15:10:15 +0000</pubDate>

		<dc:creator>Marleen Boschen</dc:creator>

		<guid isPermaLink="true">https://marleenboschen.work/Grant-Writing</guid>

		<description>
	

	Grant Writing


I have
extensive experience in working with artists and arts organisations on
grant applications and fundraising strategy. I have successfully put together applications for a wide range of projects, including funding through:


&#38;nbsp; &#38;nbsp; Arts
Council England – Developing Your Creative Practice
&#38;nbsp; &#38;nbsp; Arts Council England – Artist International Development Fund


&#38;nbsp; &#38;nbsp; The
Elephant Trust


&#38;nbsp; &#38;nbsp; The
Henry Moore Foundation


 &#38;nbsp; &#38;nbsp; ProHelvetia&#38;nbsp; &#38;nbsp; 
The
Goethe Institut


In my
approach to grant writing, I will work with you on a realistic and manageable application. Feel free to get in touch for a free initial conversation to discuss your project.&#38;nbsp;

	
</description>
		
	</item>
		
		
	<item>
		<title>Index</title>
				
		<link>https://marleenboschen.work/Index</link>

		<pubDate>Tue, 12 Jul 2022 15:10:16 +0000</pubDate>

		<dc:creator>Marleen Boschen</dc:creator>

		<guid isPermaLink="true">https://marleenboschen.work/Index</guid>

		<description>
	Marleen Boschen is a curator, researcher and artist based in London.


Sonics of Rupture · Tremors: Day 232


 Instagram

	Testing Grounds
Sonics of RuptureThe great conversation (still as someone passes by)


Soil is an Inscribed Body: On Sovereignty and Agropoetics


	About


A selection of exhibitions and writing
Teaching


</description>
		
	</item>
		
	</channel>
</rss>